BULLHEAD 1.5K

The Bullhead 1.5K started with the front end of the 3K — the preamp, the EQ, and the filters — and simplified the concept. A single input feeds the preamp, a single power module drives the output, and two parallel speaker jacks put it to your cabinets. No dual-channel routing, no secondary inputs. Just a high-powered head designed to do one thing well.

The Mike Pope-designed Bullhead preamp is the same across every Bullhead head. Warm, transparent, and precise, it gives you an accurate picture of your instrument with as much or as little shaping as you want. The 4-band EQ covers Bass, Low Mid, High Mid, and Treble — shelving controls on the lows and highs, bandpass on each midrange — all with selectable frequencies and ±12dB of range.

The 1.5K’s front panel includes the same variable High Pass and Low Pass filter section found on the 3K. Both are independently switchable, and both provide a steep 24dB per octave cut when engaged. The High Pass sweeps from 38Hz to 310Hz — useful for controlling how much low-end energy reaches your cabinets. The Low Pass sweeps from 330Hz to 15kHz, letting you soften the top end of the signal as needed. Between the two filters, you can dial in the exact frequency window of the amp without disturbing the tone inside it.

READ MORE ABOUT HOW THE BULLHEAD AMPS WORK

$1,899.00

High Pass/Low Pass Filters

Just like the 3K, the 1.5K features the same defeatable, variable High Pass and Low Pass filters, located on the top left of the front panel. When engaged, each filter delivers a steep 24dB per octave cut — the HPF trimming below your target frequency, the LPF rolling off above it — giving you precise control over the full width of your frequency range. The High Pass can be set anywhere between 38Hz and 310Hz to manage low-end content, while the Low Pass can dial in from 15kHz down to 330Hz to reign in the top end. Together, they let you shape the 1.5K’s wide, full-range bandwidth into exactly the sonic space your playing demands, without touching the character or tone you’ve already dialed in.

Front Panel Features

Input
This jack can be used to connect an instrument via a standard 1/4″ mono cable

Input Attenuator
A switchable input attenuator offers 0dB or -10dB settings, accommodating both high-output active and lower-output passive instruments

High Pass Filter
Eliminate unwanted bass frequencies using a steep 24dB/octave filter, adjustable from 38Hz to 3kHz

Low Pass Filter
Soften piercing highs with a customizable 24dB/octave filter, tunable from 330Hz to 15kHz

Bass Cut/Boost with Frequency Select
Shape your low-end with a ±12dB shelving control, featuring a selectable starting point of either 40Hz or 80Hz

Low Mid Cut/Boost with Frequency Select
Fine-tune your low-midrange with a ±12dB bell-shaped EQ, centered at either 330Hz or 473Hz

Hi Mid Cut/Boost with Frequency Select
Adjust your high-midrange using a ±12dB bell-shaped EQ, centered at either 1kHz or 1.8kHz

Treble Cut/Boost with Frequency Select button
Tailor the high frequencies using a ±12dB treble shelf EQ, with starting points at either 4kHz or 8kHz

Master Volume
Controls the overall volume of main amplifier output

Amplifier Mute
Mutes the signal to the amplifier

Power Output (Pascal L-Pro2S power amp)
4 Ohms: 2500W Peak 1700W RMS @ 1% THD
8 Ohms: 1500W Peak 1060W RMS @ 1% THD

*RACK EARS INCLUDED

Rear Panel Features

AC Mains Input Connector
Attach supplied IEC power cable firmly into socket. Universal mains for 100V-240V operation

Speaker Output Main
Connect a speaker cable here for use of the main (amplifier 1) output. This Speakon combo jack allows for either Speakon or ¼” speaker cable operation

Aux Input
The Line In jack accepts a signal from a laptop, phone, MP3 player, or other input source. Connect headphones for silent practicing with the volume controlled by the master volume on the front of the amp

EFX Loop
SEND jack routes the signal TO the destination device. The RETURN jack returns the signal FROM the destination device. The series/parallel switch changes the EFX Loop from parallel operation to serial operation. The EFX loop also has a dedicated ground lift to eliminate unwanted hum

Tuner Output
This jack can be used to connect an tuner via a standard 1/4″ mono cable

Main Direct Out
Connect a balanced XLR cable to send the direct signal to a mixer, interface, or other input source. This DI also features a dedicated pre/post EQ selector and ground lift selector

Size & Weight
(H x W x D in.) 3.25 × 15 × 8.6, (H x W x D cm) 8.26 × 38.1 × 21.84
7.2 lbs, 3.26 kg
2 rack spaces

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